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Jumat, 25 April 2014

PDF Download CBEST Test Preparation Study Questions 2018 & 2019: Three Full-Length CBEST Practice Tests for the California Basic Educational Skills Test

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CBEST Test Preparation Study Questions 2018 & 2019: Three Full-Length CBEST Practice Tests for the California Basic Educational Skills Test

Product details

Paperback: 139 pages

Publisher: Test Prep Books (April 23, 2018)

Language: English

ISBN-10: 1628455365

ISBN-13: 978-1628455366

Product Dimensions:

8.5 x 0.3 x 11 inches

Shipping Weight: 13.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#13,971 in Books (See Top 100 in Books)

I really appreciated that there was a study guide out there to study for the CBEST exam. This study guide is great and it really refresh’s ones mind about subjects some of us studied years ago. As a military spouse who has been working as a teacher in WA state then had to transfer to CA because my husbands military orders, it is frustrating having to constantly start over in new states and starting new careeers or jobs. CA has different hiring procedures than WA and this test is one of them. It’s not enough that we have a college degree and transcripts and grades to prove it, we also have to prove it once again on this four hour exam. Anyway, it’s a great book for those of you that need a refresher and just having an idea the questions they will be asking.

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Tests were great but I was hoping there would be better explanations for Math section.

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Kamis, 03 April 2014

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The Bully Pulpit: Theodore Roosevelt and the Golden Age of Journalism, by Doris Kearns Goodwin

Review

“If you find the grubby spectacle of today’s Washington cause for shame and despair—and really, how could you not?—then I suggest you turn off the TV and board Doris Kearns Goodwin’s latest time machine. … [Goodwin puts] political intrigues and moral dilemmas and daily lives into rich and elegant language. Imagine ‘The West Wing’ scripted by Henry James.” (Bill Keller, The New York Times Book Review)"In her beautiful new account of the lives of Theodore Roosevelt and William Howard Taft, historian Doris Kearns Goodwin spins a tale so gripping that one questions the need for fiction when real life is so plump with drama and intrigue." (Associated Press)“Doris Kearns Goodwin tells this tale with her usual literary skill and deep research. … Goodwin not only sheds light on the birth of the modern political world but chronicles a remarkable friendship between two remarkable men.” (The Wall Street Journal)“This sophisticated, character-driven book tells two big stories. . . . This is a fascinating work, even a timely one. . . . It captures the way a political party can be destroyed by factionalism, and it shows the important role investigative journalists play in political life.” (The Economist)“Here is where Goodwin’s account soars. She captures with masterly precision the depth of the Roosevelt-Taft relationship, the slow dissolution and the growing disillusion, the awkward attempts at rapprochement, and then the final break....It is a story worth telling, and one well told.” (The Boston Globe)“The interplay between personality and politics, temperament and leadership is one of the key themes animating Doris Kearns Goodwin’s telling books…The same is true of her sprawling new book, The Bully Pulpit, which gives us revealing portraits of Theodore Roosevelt and his close friend, handpicked successor and eventual bitter rival, William Howard Taft…She also uses her impressive narrative skills to give us a visceral sense of the world in which Roosevelt and Taft came of age...She creates emotionally detailed portraits of the two men’s families, provides an informed understanding of the political forces (conservative, moderate and insurgent) arrayed across the country at the time, and enlivens even highly familiar scenes like Teddy Roosevelt’s daring charge up San Juan Hill.” (Michiko Kakutani The New York Times)“Goodwin spent eight years working on The Bully Pulpit and the effort shows, much to the reader’s benefit and delight. She keeps the story clipping along, chooses enlightening anecdotes…and has the narrative and historical acumen to weave her theme through 900 pages. At 70, let’s hope she has at least a couple more biographies in mind…For now, savor The Bully Pulpit. It is a command performance of popular history." (Christian Science Monitor)“Pulitzer Prize-winning author Doris Kearns Goodwin has scored again with ‘The Bully Pulpit,’ a thorough and well-written study of two presidents, as well as the journalists who covered them and exposed scandals in government and industry….Her genius in this huge volume (750 pages of text) is to take the three narratives and weave them into a comprehensive, readable study of the time ….The Bully Pulpit is a remarkable study of a tumultuous period in our history.” (St. Louis Post-Dispatch)“Swiftly moving account of a friendship that turned sour, broke a political party in two and involved an insistent, omnipresent press corps. . . . It’s no small achievement to have something new to say on Teddy Roosevelt’s presidency, but Goodwin succeeds admirably. A notable, psychologically charged study in leadership.” (Kirkus Reviews, Starred Review)“By shining a light on a little-discussed President and a much-discussed one, Goodwin manages to make history very much alive and relevant. Better yet—the party politics are explicitly modern.” (Publishers Weekly, Starred Review)

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About the Author

Doris Kearns Goodwin’s interest in leadership began more than half a century ago as a professor at Harvard. Her experiences working for Lyndon B. Johnson in the White House and later assisting him on his memoirs led to her bestselling Lyndon Johnson and the American Dream. She followed up with the Pulitzer Prize–winning No Ordinary Time: Franklin & Eleanor Roosevelt: The Home Front in World War II. She earned the Lincoln Prize for the runaway bestseller Team of Rivals, the basis for Steven Spielberg’s Academy Award–winning film Lincoln, and the Carnegie Medal for The Bully Pulpit, the New York Times bestselling chronicle of the friendship between Theodore Roosevelt and William Howard Taft. She lives in Concord, Massachusetts. Visit her at DorisKearnsGoodwin.com or @DorisKGoodwin.

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Product details

Paperback: 912 pages

Publisher: Simon & Schuster; First Paperback Edition edition (2013)

Language: English

ISBN-10: 1416547878

ISBN-13: 978-1416547877

Product Dimensions:

6.1 x 1.6 x 9.2 inches

Shipping Weight: 2.7 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

2,053 customer reviews

Amazon Best Sellers Rank:

#46,511 in Books (See Top 100 in Books)

It was a gift and he loved it

Bottom Line: In the Bully Pulpit, Professor Doris Goodwin has written a bloated but worthy read. Using the lives and presidencies of Theodore Roosevelt and Howard Taft as the center; she combines shorter biographies and a partial history of the Progressive movement in Republican politics. A second major theme is a biography of Samuel McClure, his magazine, the people he lead and how together they created the golden age of journalism. There is a lot of book, a lot to discuss and Prof. Goodwin needed a better editor in getting it into one volume. The Bully Pulpit is recommended, but are cautioned that this is a longer book than needed.New to me was that President Teddy Roosevelt had invented the term ‘Bully Pulpit”. His use of the slang word ‘Bully’ indicated that something was good, grander than a more modern person might say “Nifty”. To Roosevelt the Bully Pulpit was a very good place to be heard and thereby command public attention. He also coined the word ‘Muckraker’. From the beginning a harsh term to suggest that a journalist so employed was shoveling farm yard waste, to create scandal and distrust where it was not justifiable.Prof. Goodwin’s purpose is to compare how effectively President Roosevelt combined his use of the bully pulpit with his openness to certain of the muckrakers, specifically the McClure’s stable of investigative reporters. She contrasts this with President Taft’s more limited use of the bully pulpit and more traditional use of political discourse to forward their common cause: the Republican Progressive movement. The difference would be one of degree rather than absolute. Each would have to take some causes directly to the people and each would have to make some compromises. Indeed there is an unanswered question suggested by Roosevelt, that Taft had compromised too much.Had this book been focused more on this topic, it would have been a better book. Instead Professor Good win gives us a detailed biography of the two men, much of it available in purpose built biographies. The extensive backgrounds on the team behind McClure, particularly Ida Tarbell, Lincoln Steffens and William Allen White was interesting if over much. Roosevelt promoted close relationships with his favored journalists. Another example of how TR was a man of the future and is germane to the author’s larger questions.Goodwin’s certainly dares greatly. She does achieve her goals. She asks us to strive through too many pages.

The concept of this book is basically to present simultaneously (a) a biography of T.R.; (b) a biography of William Howard Taft; and (c) a general non-fiction book (like Simon Winchester might do) about McClure's magazine; and in fact (d) mini-bios of several McClure's writers. That seems both very audacious in scope, and difficult as far as tying all that together in a cohesive manner. Improbably, Goodwin makes it work brilliantly. Probably the key ingredient is her exposition of the access and relationships that the McClure's writers had to T.R., and the synergy thus created; plus contrasting how things changed under Taft.The book is extremely long, so if you're short of attention span, consider that. I prefer richly detailed narrative (as long as it's not aimless or wandering) rather than glossing over things to shorten a book up, so the fact that this took me 6 weeks to read was no problem for me. (It is exhaustively end-noted, by the way, for those interested. When you finish the book's main pages, you will be only at 56% through on the Kindle's progress meter.) Like many readers, I have previously read a T.R. biography or two, but I did not find this book repetitive or redundant to those, given its angle on T.R.'s career and given all the Taft and McClure's content. Really a master work, and a great read that lets you lose yourself in the turn-of-the-century era for quite awhile.

It's too long, repetitive and redundant. It's a shame because there is a lot of great material but you have to wade through an overwhelming amount of minutiae along the way. The book is definitely at its best in the first 200 pages of so when it deals with the early lives of Taft and Roosevelt. It falls into repetitive, drawn-out mode once Taft and Roosevelt begin their political ascents.Once the two men are in their prime, the book repeatedly follows the same lifeless, mechanical pattern to convey events. Goodwin will briefly summarize something of note that Roosevelt or Taft did, and then recite what everyone else in the world said about it. For example: (a) Roosevelt made a campaign speech; (b) here's what Roosevelt wrote about the speech in his diary; (b) and here's what Edith wrote about the speech in a letter to her sister; (c) and here's what Taft wrote about the speech in a note to Roosevelt; (d) and here's what Ida Tarbell wrote about the speech in a letter to McClure; (d) and here's what newspaper 1 wrote about the speech; (e) and here's what newspaper 2 wrote about the speech..... (z) here's what newspaper 12 wrote about the speech.This goes on and on and on for nearly every public achievement of Roosevelt, Taft and a half dozen muckrakers. It gets old and very boring.Also, it's odd that Goodwin gives almost no commentary herself on what made certain achievements or events special. She doesn't bring a historian's perspective to the material, she just recites what happened and quotes the remarks of all the players ad nauseum. The only exception is in those early chapters about young Roosevelt and Taft, in which she does read between the lines here and there when dissecting letters and diary entries.I finished the book on principle, I made it all the way to page 750. But I resented it and nearly quit several times because, hey, there are other books to read and at some point you have to get on with your life. I've never read Team of Rivals, but I'll be taking that off my "Books to Read" list as a result of this experience.

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Rabu, 02 April 2014

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Product details

Series: Black Clover (Book 2)

Paperback: 192 pages

Publisher: VIZ Media LLC; Translation edition (August 2, 2016)

Language: English

ISBN-10: 142158719X

ISBN-13: 978-1421587196

Product Dimensions:

5 x 0.7 x 7.5 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#41,486 in Books (See Top 100 in Books)

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Kamis, 27 Maret 2014

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From Booklist

*Starred Review* Katin, a Holocaust survivor who told the harrowing story of her family’s survival in her 2006 graphic memoir, We Are on Our Own, carries an understandable prejudice against all things German; so when her son Ilan announced that he was moving to Berlin to live with his girlfriend there, it set off a visceral, panicked reaction that she recounts in this wise and funny work. With wry self-awareness and sardonic humor, Katin depicts her reluctant, resentful efforts to deal with her son’s decision as she makes a pair of visits to the city, one to visit Ilan and another to attend an art show featuring her comics work (as her ever-patient musician husband observes, “If Barenboim can be there, so can you”). She even learns the German word for her struggle: vergangenheitsbewältigung—coming to terms with the past. Katin eschews the use of panel borders for her gorgeously expressive color-pencil drawings, giving the narrative an irresistible flow. As well told as it was, much of the power of We Are on Our Own came from its inherently dramatic story; this more nuanced and inward-looking tale is an even greater testament to Katin’s remarkable storytelling abilities. --Gordon Flagg

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Review

“[Letting It Go is] thoughtful and unflinching but also frequently funny, and drawn with considerable grace.” ―National Post“Miriam Katin's Letting It Go is my kind of graphic memoir: loose, impressionistic, a portrait of the artist's inner life.” ―Los Angeles Times“Letting It Go is a moving, funny look inside the artist's thought processes as she reckons with her past and decides whether she's going to live out her golden years in a spirit of resentment or forgiveness.” ―AV Club

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Product details

Hardcover: 160 pages

Publisher: Drawn and Quarterly (March 19, 2013)

Language: English

ISBN-10: 1770461035

ISBN-13: 978-1770461031

Product Dimensions:

7.8 x 0.8 x 10 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#289,691 in Books (See Top 100 in Books)

Miriam Katin is a Hungarian-born Holocaust survivor who lives with her husband in New York. She is an artist and her husband is a musician. Born in 1942 in Budapest, Miriam and her mother went into hiding in the Hungarian countryside, posing as a Christian woman and her daughter, after the Germans invaded the country in 1944. She has written a previous book, "We Are On Our Own", which depicts in graphic-style the life she and her mother lived til the war was over.I haven't read many graphic novels; Katin's might be the fifth or sixth. I can't really comment on the art except to say it is drawn mostly in pencil - both gray and colored - and is very appealing to the eye. The story, though, is what really sets "Letting It Go" off from many works of Holocaust literature.Miriam Katin's book is about the journey she made - both in body and in spirit - to the city of Berlin, first in 2005 and another trip a year or so later. She had grown up as a hater of Germany and all things German. (And who would blame her?) When she was in her late 60's, her son, Ilan, told her and her husband that he had decided to settle in Berlin and was trying to adopt EU citizenship. Would she claim him as the child of a Hungarian citizen so he could claim EU status. (Even though Katin had US citizenship, she was still considered Hungarian by her place-of-birth. The exact details of this are a bit sketchy in the book.) Faced with examining her past by Ilan's request and talking it over with her mother - the woman who had saved her life during the war - she decided to go through the onerous process of the paperwork. Next up was a trip to Berlin with her husband to visit her son and his girlfriend.The balance of the book/art is about her visits to Berlin. She is very upfront with how uncomfortable both the run up to the trips and the trips themselves were to her. But she opens up both her mind and her heart and sees Berlin as it has become in the last 20 or so years. One of the places that she visits is the "Memorial to the Murdered Jews of Europe". You may have seen pictures of it; it's the field off the Unter den Linden, near the Brandenburg Gate, with a hundreds of square stelae of differing heights. What this field is supposed to "mean" is open to question, but the memorial underneath is THE thing to see. Because this underground museum, or memorial, was built by the German government and the title is a testimony to their commitment to talk about and examine their past and admit, frankly, what went on under their watch. "Murdered Jews" - the title and the museum contents say it all. (There are other museums and monuments to others killed in the Holocaust as well; one to the murdered gay and lesbian communities is across the street from the one I'm referring to.)Miriam Katin writes and draws about the modern Berlin and how, slowly, she came to adjust her thinking and "let go" of some of her previous prejudices. Maybe the book spoke to me because the city of Berlin has "spoken" to me on my five or so trips there in the past 20 years. And maybe it spoke to me because I admired Miriam and her "journey" to an uncomfortable past that she was able to face down. I've made this review more "personal" than most of the ones I write because Katin's book provoked those feelings in me. The combination of words and drawing gives her book a close-to-the heart feeling.She appears to have ended her trips to Berlin (the second was a trip to see some of her work featured in an art exhibit) with a new feeling of acceptance. It's quite a book.

Love it

This book was recommended to me by a daily newsletter I get called "Jewniverse." This was my first graphic novel, but it didn't do much for me. I felt that the story wasn't very gripping despite the content. The illustrations are very good and help the story, but the plot itself wasn't as riveting as I had hoped.

I welcome Ms. Katin's honesty in sharing her personal story. The drawings were superior. Will be following her career and looking forward to see her other works.

Her talk about the book and its subject inspired me to purchase the book. However, her book covered the same material as her talk which was infused with more humor and pathos than the book itself. Her drawings were often effective, but the book lacked power. Although I read Maus, I am a newcomer to this artform and therefore may lack the requisite enthusiasm and appreciation.

Like several books I have reviewed before this one, the artist used to work for Disney. (Being a struggling cartoonist; I HAVE considered working for Disney a few times, but I want to do my own stuff instead.)Drawn without panels in skillful colored pencils, the elderly narrator tells her story about living in New York City (not always glamorous), learning that her only son now lives in Berlin, Germany with his new girlfriend, and having ugly memories about that city, too.The narrator had escaped from her birthplace, Hungary during the darkest days of WWII (presumably as a baby?) So naturally, she gets very upset about her kid deciding to make a home in the very same area where her Jewish people had been ruthlessly killed by the Nazi.But her son, her husband, her friends, even her former lover, etc., etc. tell her to snap out of it and BE happy for the young couple's future.So the poor narrator swallows her pride and helps her son obtain a Hungarian citizenship and even flies to Berlin with her husband to visit him. In spite of her fears, Berlin of today turns out to be a beautiful, modern city with great food, sights, attractions, etc. as well as museums and monuments to honor the Jewish victims. This helps the narrator relax a little and actually enjoy herself in spite of everything. Not only that; she even hurries right back to Berlin at her own expense to see her own work exhibited at a local art museum (and it has turned out to be a big disappointment for her, however.)Nevertheless, it's like the whole world doesn't care about the narrator's personal feelings or experiences with the past, so she has to force herself to get over it. (Yes, yes, we all know Berlin is now a pretty fairyland full of happy people, but this doesn't mean war crimes that happened there are not stern reminders that can't ever be trivialized and are now permanent part of our human history.)In addition, I am truly sorry that she is married to an arrogant, uncaring husband and that she has to put up with his rude remarks for YEARS, too!Pretty frank and even raw storytelling that even includes frontal nudity of an aged woman as well as gross scenes like a graphic C-section and tidal-wave diarrhea - all done in eye-pleasing color sketches.

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Rabu, 26 Maret 2014

Free Download Confessions of a Sociopath: A Life Spent Hiding in Plain Sight, by M. E. Thomas

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Confessions of a Sociopath: A Life Spent Hiding in Plain Sight, by M. E. Thomas


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Confessions of a Sociopath: A Life Spent Hiding in Plain Sight, by M. E. Thomas

Review

Praise for Confessions of a Sociopath“[A] gripping and important book...revelatory...quite the memorable roller coaster ride.” —New York Times Book Review “Fascinating...part memoir, part psychological treatise, and entirely not to be trusted.” —Boston Globe“The goal of Confessions is to redefine sociopathy—or at least to shake off the stigma associated with it. And Thomas accomplishes both. Through her honest portrayal of herself as a highly capable yet deeply flawed individual, she demystifies her disorder.” —Scientific American“Fascinating stuff, and Thomas delivers...riveting...chilling...Her incisive observations about human nature can be breathtakingly pointed.” —Cleveland Plain Dealer“An essential, unprecedented memoir...intelligent, measured...Her arguments against using the diagnosis as an indicator of evil or a pre-emptive reason to imprison are a slam-dunk. This is a critical addition to narratives of mental illness, deepened by the awareness that we're reading someone whose most intense motivation is ‘acquisition, retention, and exploitation of power’.” —Publishers Weekly, starred review“Fascinating and compelling as well as chilling, Thomas’ memoir offers a window into the mind of a portion of the population that usually remains shrouded in mystery and fear.” —Booklist, starred review“[Thomas] invites us into her courtroom, classroom and bedroom to witness how her behavior has stunted her work life and made her love life difficult...Much here is chilling, but there are also cracks that make you ache for her....A work of advocacy for greater awareness of sociopathy’s reach and conduct.” —Kirkus Reviews

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About the Author

M. E. THOMAS is a diagnosed sociopath and the founder of SociopathWorld. She is not a killer. Quite the contrary, she is an accomplished attorney and law professor who writes regularly for major law journals, donates 10 percent of her income to charity, and teaches Sunday school.

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Product details

Paperback: 336 pages

Publisher: Broadway Books; Reprint edition (May 13, 2014)

Language: English

ISBN-10: 0307956652

ISBN-13: 978-0307956651

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

466 customer reviews

Amazon Best Sellers Rank:

#36,289 in Books (See Top 100 in Books)

This is a very interesting read, though it requires the reader to see through the author's own self-manipulation.This author epitomizes the child abuse victim’s narrative. Her father was violent and abusive to her and his other children, and her mother was a self-absorbed, dysfunctional enabler, and both of them sometimes provided adequately for their children and sometimes did not. She describes in the book a few violent episodes and painful dysfunction, such as her father beating her and how he left punching marks on the doors and walls of the house, and yet says point blank that she was never abused. This author swears to the tune of so much repitition it appears she is trying to convince herself more than others of the following two things: 1) that her parents were amazing, did a wonderful job, and loved their children truly, and 2) that she herself was born defective, a sociopath, not normal. This is the stereotypical, worldwide and extremely common child abuse victim’s narrative: idolize the abusers, blame yourself. The child abuse victim will blame herself and happily create a story that she was herself to blame for the mistreatment, claiming to herself and to others that she was “born bad” or “born wrong” – all to protect her image of her parents as wonderful and loving. All children in abusive homes do this, and many carry the story throughout their adulthoods too. They must do this to enable bonding with their abusers at their young age, and as a result of needing to bond with their abusers, they develop a certain set of skills – particularly, they develop a lack of empathy, an inability to connect with others, and manipulation, having to effectively shut down parts of their humanity to tolerate the abuse and to form trauma bonds to their attackers despite it.Yet this author is clearly entirely unaware of how she has herself mentally bought the age-old and tired child abuse story. She is oblivious to how common and normal her self-story is; indeed, I fully believe that she fully believes her own story – a story built throughout her life and strengthened, first to protect her image of her parents in her child’s mind, and then to avoid dealing with her painful past in her adult mind.Critical reviewers here have rightfully doubted that this adult victim of child mistreatment is truly a sociopath, hypothesizing instead that she is narcissistic. This is also what I perceived as well. Narcissistic Personality Disordered (NPD) people are hungry for attention, low in empathy, manipulative and malicious, and enjoy feelings of immense superiority to others. Naturally, with so many people being diagnosed with NPD (a disorder known to often result from child abuse/neglect as a coping mechanism) a diagnosis or a self-concept of NPD no longer offers one the special attention or feelings of superiority any longer. So it makes sense that this woman has labeled herself a sociopath – and then sought out a professional with the explicit goal to be diagnosed as a sociopath after having spent years studying up on the disorder herself first – to provide herself with a stronger self-story that would reinforce the child abuse victim’s narrative of “I was born defective, like this, and my parents are loving and wonderful to have so carefully raised little defective me.”Indeed, this story insulates her from having to face the harsher reality that is much more likely and far less rare than being born a sociopath: that her family’s abuse, violence, and dysfunction directly caused her to develop narcissistic traits in order to first cope with the abuse, and then to avoid dealing with the painful aftermath. Even brain scans have shown that child abuse produces many of the same neurological effects one sees in a psychopath’s brain, whether or not those abused do show psychopathic traits/acquire a diagnosis of the disorder. For this reason, brain scans do not at all answer the question of the chicken or the egg.But this author does not – and will not – realize any of this. Because to realize this would defeat the purpose of her self-story in the first place.Some people judged this book as boring. I think they took the words of a traumatized and admittedly mentally disordered person in obvious denial (“my father beat me" and "I was never abused") at face value, and failed to exercise any of their own analytical or critical thinking skills in the process of reading. I found this book fascinating. It is thought-provoking in many ways.Many of the critical reviewers on this page intuitively saw that this woman was deceiving herself, but I think they misguessed at the motives and reasons for her own mental gymnastics and cognitive dissonance. The author prides herself on her self-proclaimed talents for manipulating others, but this author is most adept and skilled at self-manipulation.Fascinating read. The only reason I gave it four stars instead of five, is because this woman intends to procreate child victims for herself. She idolizes her abusive and dysfunctional parents and the way they “raised” her. Conveniently, she has self-diagnosed and decieved a professional into diagnosing her with an untreatable problem; now she is off the hook for being accountable to deal with her symptoms, just as any Narcissistic Personality Disordered person would most prefer in her life. It is her future child victims for whom I have sympathy.

There is some good information and insight in this pseudonymous memoir. Author M.E. Thomas, a self-confessed sociopath, albeit a law-abiding one, nicely details the sociopath's risk-taking, fearless, calculating and transaction-oriented lifestyle. Appallingly, the sociopathic character appears breathtakingly close to the economist's model of the rational decision-maker, meticulously calibrating risk-return tradeoffs for all of life's decisions. Perhaps that's why sociopaths are said to flourish in the echelons of top business executives.Thomas also draws a riveting portrait of her upbringing by horribly indifferent parents, who present themselves as good Mormons to the world, while badly neglecting their children in private. After enduring years of emotional, financial and recurring physical abandonment, Thomas appears to have shaped her personality to cope with an unstable world.Despite an excellent beginning, Thomas's memoir soon descends into an airless and abstract discussion of the author's life that proves oddly revealing of a sociopath's flat affect. The author and her family and friends are never fully drawn as three-dimensional. Rather, they emerge as shadowy paper dolls, out-of-focus photos cut out from a dated magazine. As a result, Confessions of a Sociopath fails to impress and, worse, begins to bore the reader badly.This book would have been better delivered as an in-depth feature article.

Inconsistent, amateurish, contradictory stories, self serving. I guess the perfect product from a sociopath.

This author is NOT a sociopath.She instead is the daughter of sociopaths whose refusal to feel human emotion over their cruelty to their child has caused Ms. Thomas to shut down her own emotions, thereby assuming the appearance of a sociopath. But, as I've just said, she is not one herself but simply the abused offspring of sociopaths. This is very sad. But what is even sadder is that the author won't admit this fact about her parents; and because she won't admit it, she won't blame them. Instead, poor Ms. Thomas blames herself. Sadly, tragically, she has swallowed their lie, hook, line and sinker, that their abuse wasn't their fault but HERS because she was a bad child. Ms. Thomas has swallowed their lie so deeply she feels ashamed she forced her narcissistic mother to leave her performance on stage to instead take her daughter to the hospital for a ruptured appendix. 'I was a bad girl because I deprived mommy of applause.' When the author's father beat her senseless and nearly starved her to death, the author insists this was a good thing because it taught her the survival skills to pick high performing stocks when she became an adult. Nothing will wake the author up to the truth. Though she describes her abuse at their hands in gruesome, gut churning detail, she stubbornly insists her parents are 'loving'. So how did two 'loving' parents turn their daughter into a non-feeling inhuman person? Gosh, it's not because turning off her emotions was the only way to survive their abuse but because the author herself is a...drum roll, please...sociopath. "It's MY fault I don't feel and I'll write a book telling the whole world what an awful person I am! Wheee!"It's so damned frustrating. If only Ms. Thomas would just once put the blame on her parents where it belongs, she would finally begin to heal. But healing won't happen because the author won't stop lying. 'My parents are loving and I'm a bad person.' Her lies are frustrating enough to make me weep - but her lies also scare me. Like the author I too was horribly abused by my parents (as classic a pair of sociopaths you'll ever meet); but by the grace of God I realized they were evil and not me, that their abuse was their fault and not mine. That revelation was the reason why I broke free; it wasn't easy and took years of therapy but I finally rid myself of the sociopath tendencies my parents had instilled in me and instead became a warm, loving human; I healed. Poor Ms. Thomas won't heal, though. She won't take that necessary first step, the scariest step of all but the most vital - she won't tell the truth about her cruel parents. Instead, she just keeps lying and lying - 'they were loving and I am a sociopath'.I pray for her.

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Minggu, 09 Februari 2014

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Product details

File Size: 3967 KB

Print Length: 609 pages

Page Numbers Source ISBN: 1948485885

Simultaneous Device Usage: Unlimited

Publisher: Seventh Seal Press (October 30, 2018)

Publication Date: October 30, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07K2BKLR9

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Amazon Best Sellers Rank:

#30,757 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Yet another wild ride in the 4hu. Lots of different stories and styles. If scifi variety is your cup of tea this is the anthology for you.I am sure we will be seeing more from these authors as they explore their corner of the universe.Great work to all the authors!

I continue to fall deeper in love with the 4HU and the authors that spawned it. These stories continue to amaze me and fulfill my hopes that they will continue for years. Spend the money, buy the whole series so far, I think you will be pleased.

Everyone you know and many that you don't. More tails of the Marx's life. Some stand alone and others advance stories that we are waiting on. I love this new universe very much. Try it, and you might too.

Too many stories that had little or nothing to do with the omega war. I like the series but some of the the stories are off track and are pretty useless.

Always a joy to read this series. I can not wait for the next release.

Solid member in the 4HU and could hardly put it down.

I bought this because I just finished FISTFUL OF CREDITS. LUCK IS NOT A FACTOR is the next book in the series. Lots of short stories and tons of action. New and regular authors. Kacey Ezell and Jon R. Osborne are two of my favorite regulars. Osborne's newest book, When the Axe Falls, was slamming.

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Sabtu, 01 Februari 2014

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Faith, Reason and Theology (Mediaeval Sources in Translation,)

About the Author

Aquinas, while studying at the University of Naples, joined the Dominican monastic order in 1244. Under St. Albert the Great he embarked on a life of teaching, preaching, and writing. He was formally canonized in 1323.

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Product details

Series: Mediaeval Sources in Translation, (Book 32)

Paperback: 127 pages

Publisher: Pontifical Institute of Mediaeval Studies (January 1, 1987)

Language: English

ISBN-10: 0888442823

ISBN-13: 978-0888442826

Product Dimensions:

5.5 x 0.4 x 8.2 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,088,057 in Books (See Top 100 in Books)

This selection from the early works of Thomas Aquinas, stripped of its medieval form and Aristotelian philosophy, is actually a good introduction to what Catholics mean when they talk about faith. Understanding this traditional notion may provide some insight into the contemporary exodus from the Church.By means of our reason alone, Aquinas argues we can recognize in the universe the handprints of God. Here, there may be some disagreement among moderns but many see the hand of a Creator in the goodness of their loved ones or in the beauty of nature.Second, to know God personally, reason is insufficient since it is limited to what one can know from sense experience. Since God is pure spirit we obviously cannot have personal knowledge of Him based on reasoning from the senses.To overcome this separation God grants us faith by which we can come to have a personal relationship with Him. Reason then has to submit to the authority of the Church and by this submission we are given the grace to believe.It is here then that the modern world objects. While granting that reason alone is insufficient to know the immaterial world, modernity celebrates the rebel, those who challenge conventions and change the course of history. Science celebrates those who falsify theories and ignite scientific revolutions. Humanities scholars venerate the researcher who upends cultural assumptions.To ask that the modern person submit their reason to the authority of the Church is becoming, not only rare, but positively unthinkable. Could one imagine a prominent scientist saying that they would submit their entire intellectual product to the bishops of the Catholic Church?In Aquinas’ day, when the Church was so woven into the fabric of society that submitting to her authority was essentially being a good citizen, this kind of argument made sense. In the modern world, not so much.In short, using the literary genres and philosophy of his day, Aquinas here articulates the notion of faith that is still current in the Catholic Church. Whether that notion of faith can resonate with modernity is another question.However, as the largest organized religious body in the world, it is worth reading a book like this to understand the Catholic position and to understand the different cultural stages in the journey of humanity. The openminded reader will find that, as repugnant to his sensibilities as Aristotelian philosophy and submission to authority may be, Aquinas was one of the true geniuses of humankind and opposition to these ideas can best be made through encounters with the source himself.

Augustine of Hippo wrote a book about the trinity, which had recently become the doctrine of the church and the empire in the age of Constantine--the 4th century CE. He explored not so much the doctrine of three persons and one nature plus two natures in the one person of Jesus (for a total of ???) as psychological analogies. Then Boethius reflected on Augustine's topic a hundred or so years later. Then Thomas, in about 1250, reflected on Boethius's reflections.I read half of Augustine's bit and a modern critique of Thomas's work. Now I have the actual "expositio on the tractate of Boethius", of which this book is the first four sections, leaving two in "Division and Methods of the Sciences". I don't know who chose those titles but they tell you a lot about how Thomas operates here.The Catholic saw is that reason never contradicts revelation. But which gives way? If Catholicism or Christianity has a basic principle of procedure (like the Jesuits have "our way of proceeding"), it is to give pride of place to the senses, on the assumption that God did not accidentally give these to us and then regret it, cleaning up "his" mistake with revelation, the gist of which is "ignore the evidence of your senses". One might easily reflect that we all too easily ignore the evidence of our senses anyway, and that God should be encouraging us to rely on them MORE.What does that leave for faith? Although I've just started reading Thomas here, I can report what already seems to be emerging, as also reported in the critique by Douglas C. Hall, which is that Thomas finds the highest reasonable act of faith (to coin a term) in the "agnosia", by which God's infinity meets our finitude and we know ourselves for the first time, to paraphrase T.S. Eliot's poem's last line. We cannot know anything without a sensory image, a claim from Aristotle which Thomas tries to be loyal to, although he is tempted already in the early going by illumination. But what ultimately can be illuminated for us of the nature of God? If we understand it, doesn't that already make it not of God but rather a crude anthropomorphism if not an idol (Isaiah), cut to our conveniences? So Thomas gives us quickly the distinction of the quia est and the quid est. The more we grasp THAT God is, the less we expect to grasp WHAT God is.Well, that leaves a big gap. God must be something or else why worry? Something in particular.So I wonder if Thomas will move off the dime, in a study which is supposed to explore the unsearchable riches of the Trinity, right?, in actually exploring the limits of reason, which would be by way of the doctrine of Being (he says in the Summa, not that I've read much of it, "the divine essence is existence itself") as we enounter it in daily life. I would think distinguishing a lie from a true statement requires a judgement about Being. If God is Being, and God is best approached as the "tanquam ignotum" ("as if unknown"), that would make the true statement distinguishable from the lie by the fact that the true statement partakes of the unknowable while the lie is convenient and familiar.Are we ready for that!?!So I give this book five stars for setting up the question of the age of liberalism.

To the best of my knowledge, the complete translation of Aquinas' unfinished commentaries on Boethius have never been published in one volume. The relative brevity of each of the two volumes and the fact that they were completed by the same translater suggest no reason for the complete translation to be left divided. Perhaps this text has attracted little attention since Thomistic studies have too often ignored (either by will or simple ignorance) the more platonic influences of Thomas' thought, and minor interest will seldom get a book published in a more expensive format.This text is a wonderful resource for exploring the influences employed by St. Aquinas, but it lacks the depth and systematic nature so obviously present in other of his works. As a result, this text should not be the first text one reads of St. Aquinas, but neither should it be ignored.

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