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Jumat, 25 April 2014

Free PDF The Editor's Companion: An Indispensable Guide to Editing Books, Magazines, Online Publications, and More

Free PDF The Editor's Companion: An Indispensable Guide to Editing Books, Magazines, Online Publications, and More

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The Editor's Companion: An Indispensable Guide to Editing Books, Magazines, Online Publications, and More

The Editor's Companion: An Indispensable Guide to Editing Books, Magazines, Online Publications, and More


The Editor's Companion: An Indispensable Guide to Editing Books, Magazines, Online Publications, and More


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The Editor's Companion: An Indispensable Guide to Editing Books, Magazines, Online Publications, and More

About the Author

Steve Dunham has been writing and editing professionally for more than three decades. He has written for newspapers and magazines, and he has edited journals, books, newsletters, and other media. He has taught short classes in copyediting, publications quality control, and other topics.

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Product details

Paperback: 232 pages

Publisher: Writer's Digest Books (January 1, 2015)

Language: English

ISBN-10: 1599639025

ISBN-13: 978-1599639024

Product Dimensions:

5.5 x 0.6 x 8.4 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#236,027 in Books (See Top 100 in Books)

I agree with the 5-star ratings and comments given for Steve Dunham's "The Editor's Companion: An Indispensable Guide to Editing Books, Magazines, Online Publications, and More." I do not know what more I can add other than giving my own 5-star rating. I like the book because it is presented in an easy-to-understand way. Also, I like how Dunham includes the wisdom of the editors that he knows. The "look inside" should give the buyer a good idea of the book layout. I found the book well designed--not crammed with information. Dunham provides good leads to additional resources on editing.

7.5/10This is a basic introduction to editing, no matter you are a beginner editor, a peer-reviewer or just want to edit your own texts.One expects the book of a professional editor to be good, easy to understand, and well organised, and, generally speaking, this is the case.Although many of the things Dunham recommends are a bit too obvious (especially if writing is part of your job or just your job) they should never be forgotten. At times, it is painful seeing academics doing the sort of mistakes that Dunham mentions in this book. Actually, these are some of the mistakes I do make while writing for work, or writing a review.The book is clearly written, without any pomposity or technical jargon. A priori, I thought this would be a dry book, but I found it to be not only useful and practical, but an enjoyable light reading as well.The chapter I find most interesting and useful is chapter 9 (The Editor's Tools), which not only provides us with a commented bibliography and list of online resources, but also an example of check-list. I also enjoyed Dunham's comments on the relationship with editors and authors in chapter 9, which are great to level your head when correcting somebody else's work, something that I find difficult because I get exasperated by some people's "crappola". And also all his comments on the use of Wikipedia.Some of his comments on common grammatical and orthographical mistakes are spot on and very easy to understand, therefore, very useful. I also like some of the explanations Dunham gives about confusing (fusing) words. I noticed that, while he explains the rule on how to use brackets, for example, he says it in a way in which brackets are used and incorporated into the explanation without the need of any example. Cool, even tubular ;)The examples Dunham uses come from different mediums (newspapers, Government reports, novels and monographs, among others) and show, not only that there are too many crappy texts out there, but also that a good editor can morph an ugly text into something correct, intelligible and even elegant. On that regard, chapters 9 (Samples of Editing) and 10 (The ones that got away) are especially entertaining and self-explanatory.Yes, editing is the make-up artistry of the language -- It turns anything average into a beautiful looking thing.I find great that a professional editor reminds us that spell-checking is not a sin, or something just for foreigners.The end-noting system is great, very academic, and it is perfectly linked back and forward in the Kindle edition.EDITING THE EDITORThe book examines and includes all types of editing. You will find similar challenges and methodical approach to editing any type of text. However, editing for a newspaper, or for an academic journal or the Government are intrinsically different as they target different readers, and they do so in different ways regarding language used and length and depth of the text. You cannot expect the general reader to understand technical stuff, but you expect academics working on a given discipline to deal easily with it. So, I would have liked a chapter devoted to the challenges that different publications and texts demand from the editor, and the way editors face them.Some of the explanations about punctuation were just sketched, too general, and not clear enough, for example, the use of Em and En dashes.I would have placed chapter 9 after chapter 10, included some of the subjects mentioned in the appendix in chapter 10 and enlarge them, and offer a separate bibliography and resources section. Besides, the bibliography mentioned is a bit old. Even though the books are classics, or manuals that any editor should have, there must be most updated improved editions., And why not including some other specialised books?I found odd that the pages of some articles mentioned in the endnotes have no pages mentioned. They come from newspapers and other periodical publications. I was taught, that even when the article comes from a newspaper, you provide the reader with the page where the article is found. There must be a reason why pages are not mentioned with those articles. Were they retrieved online? Is there an rule about this that professional editors follow?Now, how much quoting is too much? Well... too many quotes are always too much. Elements of Style and Words into Type are mentioned ad nauseam, so I ended wondering, if these books are so great, why bothering writing anything else? Dunham is a professional experienced editor, so I wanted to hear his voice loud and distinctly clear, even if he shares the same opinions and approaches to work with other editors. In fact, Dunham shines when he does so, when he is his own self, and speaks from his own experience without paraphrasing or quoting anybody.Most of the grammar elements and common mistakes he discuses in his book are great, but we can find that sort of information in any basic grammar book, like Practical English Usage or a Practical English Grammar, just to mention two examples of exhaustive reliable books coming from Oxford University. However, I missed a chapter on footnoting or endnoting; too many writers and academics do not use notes properly, they do not know where to place them, or what sort of information to include in them. The same can be said of creating indexes, bibliography and glossaries, or your own style sheet. Said differently, how would an editor approach endnotes, footnotes, bibliography, indexes and glossaries in a given text? How to edit those?IN SHORTI found the reading good and entertaining, and, as a first good approach to editing, a great book with plenty of useful items of advice. I was expecting an ABC of editing, but for that you have to go elsewhere.

I am trying to further my abilities and this book gives amazing examples, when I had added this book to my cart it was accompanied by at least $300 worth of other books in the like, I think there were 20 some odd editing/grammar/punctuation books in my cart at the time. And with the vast and ever growing database of knowledge that is the internet I chose this one to help me on my journey. It has been a slow reading process for me, because I like to apply what I learn as I learn. This book has been an indispensable guide. I was making progress after only reading the first two pages. I would recommend this book to anyone who is looking to become a better editor or writer.

Reviewed by C J Singh (Berkeley, California)An Excellent Book on Editing BasicsIf your interest is in learning editing basics using Associated Press (AP) Stylebook, this book is an excellent introduction.(However, if your interest is in learning editing basics using The Chicago Manual of Style, Amy Sohn's book on Copyediting would be my recommendation -- see my review on amazon.)Steve Dunham is a highly experienced editor, thoroughly familiar with the yearly updates of the Associated Press Stylebook. The preface opens: “Editing—Who needs it? As a writer I write things that I think will be clear to everybody, but an editor says, ‘No, no, Steve,’ and I realize my error. Thank God for editors.” I like his voice already. In the next sentence Dunham quotes Laura Moyer, a copy editor: “Nobody loves a copy editor, but everybody needs one." "Even though we make errors seven days a week,” she noted on another occasion. Moyer’s sentences appeared in her blog dated six months apart and Dunham accurately marked them as endnotes 1 and 2. This inspires confidence in the accuracy of his 220 endnotes.The 242-page text is presented in 11 chapters:1. Marks of Good Writing;2. Editing for Content;3. Editing for Focus;4. Editing for Precise Language;5. Editing for Grammar;6. Typography;7. A Few Tips;8. Editorial Relationships;9. The Editors Tools;10. Samples of Editing;11. One’s That Got Away.I enjoyed reading these chapters. Here are some examples. In the second chapter, Dunham agrees with The Associated Press Stylebook’s” advice on “obscenities, profanities, vulgarities: Do not use them in stories unless they are part of direct quotations and there is a compelling reason for them.” (p 25; citation 25)In the fourth chapter, Dunham cites Michael Gerson of the Washington Post “lamenting a decline in media standards”: Cable and the Internet now allow Americans, if they choose, to get their information entirely from sources that agree with them –- sources that reinforce and exaggerate their political predispositions.” (p 59; citation 102)In the ninth chapter, the 22-item annotated list of the editor's tools includes: “ ' The Dictionary of Misinformation' by Tom Burnham. Why would you want books of misinformation? Not so you can repeat it, but so you can eradicate it from the documents you edit.” (p 153). “ 'The Quote Investigator' by Garson O’Toole, exhaustively investigates the sources of quotations, which are indexed by author or purported author.” (p 156).An enjoyable introduction to AP Stylebook basics.

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PDF Download CBEST Test Preparation Study Questions 2018 & 2019: Three Full-Length CBEST Practice Tests for the California Basic Educational Skills Test

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CBEST Test Preparation Study Questions 2018 & 2019: Three Full-Length CBEST Practice Tests for the California Basic Educational Skills Test

Product details

Paperback: 139 pages

Publisher: Test Prep Books (April 23, 2018)

Language: English

ISBN-10: 1628455365

ISBN-13: 978-1628455366

Product Dimensions:

8.5 x 0.3 x 11 inches

Shipping Weight: 13.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#13,971 in Books (See Top 100 in Books)

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Kamis, 03 April 2014

Get Free Ebook The Bully Pulpit: Theodore Roosevelt and the Golden Age of Journalism, by Doris Kearns Goodwin

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Review

“If you find the grubby spectacle of today’s Washington cause for shame and despair—and really, how could you not?—then I suggest you turn off the TV and board Doris Kearns Goodwin’s latest time machine. … [Goodwin puts] political intrigues and moral dilemmas and daily lives into rich and elegant language. Imagine ‘The West Wing’ scripted by Henry James.” (Bill Keller, The New York Times Book Review)"In her beautiful new account of the lives of Theodore Roosevelt and William Howard Taft, historian Doris Kearns Goodwin spins a tale so gripping that one questions the need for fiction when real life is so plump with drama and intrigue." (Associated Press)“Doris Kearns Goodwin tells this tale with her usual literary skill and deep research. … Goodwin not only sheds light on the birth of the modern political world but chronicles a remarkable friendship between two remarkable men.” (The Wall Street Journal)“This sophisticated, character-driven book tells two big stories. . . . This is a fascinating work, even a timely one. . . . It captures the way a political party can be destroyed by factionalism, and it shows the important role investigative journalists play in political life.” (The Economist)“Here is where Goodwin’s account soars. She captures with masterly precision the depth of the Roosevelt-Taft relationship, the slow dissolution and the growing disillusion, the awkward attempts at rapprochement, and then the final break....It is a story worth telling, and one well told.” (The Boston Globe)“The interplay between personality and politics, temperament and leadership is one of the key themes animating Doris Kearns Goodwin’s telling books…The same is true of her sprawling new book, The Bully Pulpit, which gives us revealing portraits of Theodore Roosevelt and his close friend, handpicked successor and eventual bitter rival, William Howard Taft…She also uses her impressive narrative skills to give us a visceral sense of the world in which Roosevelt and Taft came of age...She creates emotionally detailed portraits of the two men’s families, provides an informed understanding of the political forces (conservative, moderate and insurgent) arrayed across the country at the time, and enlivens even highly familiar scenes like Teddy Roosevelt’s daring charge up San Juan Hill.” (Michiko Kakutani The New York Times)“Goodwin spent eight years working on The Bully Pulpit and the effort shows, much to the reader’s benefit and delight. She keeps the story clipping along, chooses enlightening anecdotes…and has the narrative and historical acumen to weave her theme through 900 pages. At 70, let’s hope she has at least a couple more biographies in mind…For now, savor The Bully Pulpit. It is a command performance of popular history." (Christian Science Monitor)“Pulitzer Prize-winning author Doris Kearns Goodwin has scored again with ‘The Bully Pulpit,’ a thorough and well-written study of two presidents, as well as the journalists who covered them and exposed scandals in government and industry….Her genius in this huge volume (750 pages of text) is to take the three narratives and weave them into a comprehensive, readable study of the time ….The Bully Pulpit is a remarkable study of a tumultuous period in our history.” (St. Louis Post-Dispatch)“Swiftly moving account of a friendship that turned sour, broke a political party in two and involved an insistent, omnipresent press corps. . . . It’s no small achievement to have something new to say on Teddy Roosevelt’s presidency, but Goodwin succeeds admirably. A notable, psychologically charged study in leadership.” (Kirkus Reviews, Starred Review)“By shining a light on a little-discussed President and a much-discussed one, Goodwin manages to make history very much alive and relevant. Better yet—the party politics are explicitly modern.” (Publishers Weekly, Starred Review)

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About the Author

Doris Kearns Goodwin’s interest in leadership began more than half a century ago as a professor at Harvard. Her experiences working for Lyndon B. Johnson in the White House and later assisting him on his memoirs led to her bestselling Lyndon Johnson and the American Dream. She followed up with the Pulitzer Prize–winning No Ordinary Time: Franklin & Eleanor Roosevelt: The Home Front in World War II. She earned the Lincoln Prize for the runaway bestseller Team of Rivals, the basis for Steven Spielberg’s Academy Award–winning film Lincoln, and the Carnegie Medal for The Bully Pulpit, the New York Times bestselling chronicle of the friendship between Theodore Roosevelt and William Howard Taft. She lives in Concord, Massachusetts. Visit her at DorisKearnsGoodwin.com or @DorisKGoodwin.

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Product details

Paperback: 912 pages

Publisher: Simon & Schuster; First Paperback Edition edition (2013)

Language: English

ISBN-10: 1416547878

ISBN-13: 978-1416547877

Product Dimensions:

6.1 x 1.6 x 9.2 inches

Shipping Weight: 2.7 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

2,053 customer reviews

Amazon Best Sellers Rank:

#46,511 in Books (See Top 100 in Books)

It was a gift and he loved it

Bottom Line: In the Bully Pulpit, Professor Doris Goodwin has written a bloated but worthy read. Using the lives and presidencies of Theodore Roosevelt and Howard Taft as the center; she combines shorter biographies and a partial history of the Progressive movement in Republican politics. A second major theme is a biography of Samuel McClure, his magazine, the people he lead and how together they created the golden age of journalism. There is a lot of book, a lot to discuss and Prof. Goodwin needed a better editor in getting it into one volume. The Bully Pulpit is recommended, but are cautioned that this is a longer book than needed.New to me was that President Teddy Roosevelt had invented the term ‘Bully Pulpit”. His use of the slang word ‘Bully’ indicated that something was good, grander than a more modern person might say “Nifty”. To Roosevelt the Bully Pulpit was a very good place to be heard and thereby command public attention. He also coined the word ‘Muckraker’. From the beginning a harsh term to suggest that a journalist so employed was shoveling farm yard waste, to create scandal and distrust where it was not justifiable.Prof. Goodwin’s purpose is to compare how effectively President Roosevelt combined his use of the bully pulpit with his openness to certain of the muckrakers, specifically the McClure’s stable of investigative reporters. She contrasts this with President Taft’s more limited use of the bully pulpit and more traditional use of political discourse to forward their common cause: the Republican Progressive movement. The difference would be one of degree rather than absolute. Each would have to take some causes directly to the people and each would have to make some compromises. Indeed there is an unanswered question suggested by Roosevelt, that Taft had compromised too much.Had this book been focused more on this topic, it would have been a better book. Instead Professor Good win gives us a detailed biography of the two men, much of it available in purpose built biographies. The extensive backgrounds on the team behind McClure, particularly Ida Tarbell, Lincoln Steffens and William Allen White was interesting if over much. Roosevelt promoted close relationships with his favored journalists. Another example of how TR was a man of the future and is germane to the author’s larger questions.Goodwin’s certainly dares greatly. She does achieve her goals. She asks us to strive through too many pages.

The concept of this book is basically to present simultaneously (a) a biography of T.R.; (b) a biography of William Howard Taft; and (c) a general non-fiction book (like Simon Winchester might do) about McClure's magazine; and in fact (d) mini-bios of several McClure's writers. That seems both very audacious in scope, and difficult as far as tying all that together in a cohesive manner. Improbably, Goodwin makes it work brilliantly. Probably the key ingredient is her exposition of the access and relationships that the McClure's writers had to T.R., and the synergy thus created; plus contrasting how things changed under Taft.The book is extremely long, so if you're short of attention span, consider that. I prefer richly detailed narrative (as long as it's not aimless or wandering) rather than glossing over things to shorten a book up, so the fact that this took me 6 weeks to read was no problem for me. (It is exhaustively end-noted, by the way, for those interested. When you finish the book's main pages, you will be only at 56% through on the Kindle's progress meter.) Like many readers, I have previously read a T.R. biography or two, but I did not find this book repetitive or redundant to those, given its angle on T.R.'s career and given all the Taft and McClure's content. Really a master work, and a great read that lets you lose yourself in the turn-of-the-century era for quite awhile.

It's too long, repetitive and redundant. It's a shame because there is a lot of great material but you have to wade through an overwhelming amount of minutiae along the way. The book is definitely at its best in the first 200 pages of so when it deals with the early lives of Taft and Roosevelt. It falls into repetitive, drawn-out mode once Taft and Roosevelt begin their political ascents.Once the two men are in their prime, the book repeatedly follows the same lifeless, mechanical pattern to convey events. Goodwin will briefly summarize something of note that Roosevelt or Taft did, and then recite what everyone else in the world said about it. For example: (a) Roosevelt made a campaign speech; (b) here's what Roosevelt wrote about the speech in his diary; (b) and here's what Edith wrote about the speech in a letter to her sister; (c) and here's what Taft wrote about the speech in a note to Roosevelt; (d) and here's what Ida Tarbell wrote about the speech in a letter to McClure; (d) and here's what newspaper 1 wrote about the speech; (e) and here's what newspaper 2 wrote about the speech..... (z) here's what newspaper 12 wrote about the speech.This goes on and on and on for nearly every public achievement of Roosevelt, Taft and a half dozen muckrakers. It gets old and very boring.Also, it's odd that Goodwin gives almost no commentary herself on what made certain achievements or events special. She doesn't bring a historian's perspective to the material, she just recites what happened and quotes the remarks of all the players ad nauseum. The only exception is in those early chapters about young Roosevelt and Taft, in which she does read between the lines here and there when dissecting letters and diary entries.I finished the book on principle, I made it all the way to page 750. But I resented it and nearly quit several times because, hey, there are other books to read and at some point you have to get on with your life. I've never read Team of Rivals, but I'll be taking that off my "Books to Read" list as a result of this experience.

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Rabu, 02 April 2014

Free PDF Black Clover, Vol. 2

Free PDF Black Clover, Vol. 2

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Black Clover, Vol. 2

Black Clover, Vol. 2


Black Clover, Vol. 2


Free PDF Black Clover, Vol. 2

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Black Clover, Vol. 2

Product details

Series: Black Clover (Book 2)

Paperback: 192 pages

Publisher: VIZ Media LLC; Translation edition (August 2, 2016)

Language: English

ISBN-10: 142158719X

ISBN-13: 978-1421587196

Product Dimensions:

5 x 0.7 x 7.5 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#41,486 in Books (See Top 100 in Books)

Our hero Asta has started his journey to become the Wizard King! What awaits him and his companions while they protect the kingdom as Magic Knights?! Evil doers beware, no one who hurts the innocent will escape the Black Bulls mighty judgment.I am so pumped especially since Jump! is so far ahead of these chapters! Oh Oct. can't come fast enough! I'm glad that I also get to see Yuno use some more of his magic skills!

My granddaughter loved them

I love this series. I can't wait till October 4 when the third volume is released. I like how the most powerful is the one with no magic power at all.

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Really like the direction it's heading

I have read the first volume and it was amazing so I didn't expect any less from this one, and it met my expectations. Good job "Taba-Chan".

Really enjoyed this action paced volume. The only problem I have with this volume is that it ends rather abruptly. Typically it would be nice if each volume covers an arc.

Great so far

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Black Clover, Vol. 2 PDF
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